Fassbinder
A film portrait of the influential Bavarian actor, director, and screenwriter who publicly confessed his homosexuality, which chronologically covers all the important stages from Action-Theater to the director's early de
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Fassbinder in Hollywood
Though he never actually worked in Hollywood, Rainer Werner Fassbinder, who died in 1982 at the age of 36, was influenced greatly by American studio films of the 1950s and the convention of melodrama (the link most often
Rainer Werner Fassbinder: Last Works
Wolf Gremm's portrait shows Rainer Werner Fassbinder both as an actor— taking the leading role in the film "Kamikaze 1989", also directed by Wolf Gremm— and as a director working on "Querelle", his adaptation of the work
Fassbinder: Love Without Demands
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as w
Rainer Werner Fassbinder, 1977
Rainer Werner Fassbinder reflects on the various stages of his career, discusses how his motives behind filmmaking evolved up his film Despair.
Fassbinder's Women
An essay film in which filmmaker Rosa von Praunheim interviews "the willing victims of Rainer Werner Fassbinder."
La Maison Fassbinder
Patrick Straumann's commentary "La Maison Fassbinder" is a scientific text and strongly based on French film semiotics as initiated by Christian Metz and thus indebted to structuralism in the tradition of De Saussure unt
Cinémania: Rainer Werner Fassbinder
A documentary about the director Fassbinder but edited as if it were a film of the master himself, with some sequences of his own movies.
Fassbinder Produces: Film No. 8
About the making of "Der amerikanische Soldat/The American Soldier" in 1970.
Rainer Werner Fassbinder - Der Theatermensch
What tends to be forgotten behind Fassbinder's immense cinematic oeuvre is that he wrote and directed plays with almost equal intensity and success directed plays. Many of these theatrical works subsequently became the b
The Mad Prince: Fassbinder
This film was shot in 1988. The main action takes place in a rock group's studio during the visit of a few acolytes from Theatre Theatre. It is all served up in connection with Fassbinder «s notion of Antitheatre. The th
Fassbinder's Funeral
Irm Hermann recalls the funeral of Rainer Werner Fassbinder
Life Stories: A Conversation with RW Fassbinder
An interview with RWF in the kitchen in a house he had rented close to Paris at that time. Four years before his untimely death, the interview shows a quite relaxed and patient Fassbinder who answers all kinds of (often
The Wizard of Babylon
A documentary about German director Rainer Werner Fassbinder, during the time of filming "Querelle," features an interview with Fassbinder only ten hours before his death.
Fassbinder's Berlin Alexanderplatz: A Mega Movie and Its Story
A documentary about the making of the television mini-series by Rainer Werner Fassbinder, including interviewees with the principal actors.
The Desire to See a Film of Rainer Werner Fassbinder
A movie buff desperately wants to enter a theater to see a Fassbinder film but the doorman will not let him go because he has no ticket. The film is the confrontation between the two that ends with happy end.
Rainer Werner Fassbinder's World on a Wire: Looking Ahead to Today
A retrospective look at the making of "World on a Wire".
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
This absolutely top-notch documentary by Robert Fischer is a fascinating look back at not just the film in question, but Fassbinder's meteoric career which ended all too soon with his untimely death. Archival footage of
I Don’t Just Want You to Love Me
A documentary about the life and work of director Rainer Werner Fassbinder.
Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
In his film "Far From Heaven", Todd Haynes refers very respectfully to Douglas Sirk's "All that Heaven Allows". Fassbinder was also strongly influenced by Sirk's work. Haynes now explains this double fascination.