The Third Landscape
El tercer paisaje / The Third Landscape is a film project that has as its protagonist the fungus that made the painted forest of Oma sick, the work that the Basque artist Agustín Ibarrola carried out in the 80s in the pr
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El tercer paisaje / The Third Landscape is a film project that has as its protagonist the fungus that made the painted forest of Oma sick, the work that the Basque artist Agustín Ibarrola carried out in the 80s in the pr
Three unusual paintings played by the director that literally tests her limits in this encounters with the landscape of São Miguel, in Azores. The power that emanates from the filmed landscape is as seductive as the risk
The image in these works is modified applying paint and vaseline on a filter that sits between the landscape and the target, so we got a subjectivation of the look and the effect of distortion of reality.
At the top of the rugged Bosnian mountain, young shepherd Mehmed patiently watches over his cows and lovingly carves the figure of a woman in a piece of wood. Almost on cue, a novice paraglider unexpectedly falls from th
Composed of found photographs from newspaper reports that show people pointing into a seemingly empty landscape: something often found in Vietnamese newspapers as photographers usually arrive at the scene of an event onl
World fragments, loosely connected.
A fox hunter and a porcelain shopkeeper lady, the scientist brothers, a seal, a boy and a music box. Six characters in their rooms filled with traces of longing, separated by a vast and bleak landscape. Four stories on l
The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in
A film about a tour guide at the Parkhomivka Museum.
Landscape for White Squares features individuals emerging out of a dense fog, carrying large, square, white sheets.
Told through Hawaiian oral tradition, this story follows two sisters migrating across Hawaiʻi Island, where love, rivalry, and ancestral legacy intertwine with memory and landscape.
Part of a series of found landscapes, filmed on a single 8mm roll.
Filming various sites across Scotland, the filmmaker seeks to uncover the frames of references we use to understand and relate to these landscapes. They attempt to situate themself among these places of absence and ruin
"Documentation of landscape intervention from residency at Djerassi, all non-native plants removed except bull thistle, painted orange" -LK
Christopher Becks’s Pan of the Landscape uses gorgeous Brakhage-like painting on film to un-Brakhage-like ends: spectacular skies combine with the slow, mechanical movement of a silhouetted form to produce a biting melan
The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in
A walk through England’s south coast evokes the artists who lived and worked there.
A film-poem made after Gerald Murnane’s short story ‘The Battle of Acosta Nu’ (1985), about the aftermath of a failed Paraguayan socialist colony, New Australia, founded in 1912. Murnane’s unnamed narrator, a displaced
Part of a series of found landscapes, filmed on a single 8mm roll.