Holiday at the Seaside
Amalia, a girl of thirteen, gets her first period one day before leaving for the seaside with her parents.
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Amalia, a girl of thirteen, gets her first period one day before leaving for the seaside with her parents.
Misc. Brigade must solve a drug traffic case, in their own way
It is not inconceivable that a film about Sicily will have il mare (the sea) in its title, but why should it have la torta (the cake)? Yet this slightly cryptic title leads us straight into the world of Honetschläger. A
A young Calabrian woman just back from Gorizia tells a friend about her trip: what prompted her to go to Friuli-Venezia Giulia was her discovery of the poems and novels by one Carlo Michelstaedter, an author and philosop
Massimo owns a public bathhouse. Since he learned he has Parkinson's disease, his life has been turned upside down. His meeting with a young African boy will help him better understand pain, set it aside, and realize tha
55 minutes to tell the story of six characters born and raised around the watercourse, retracing the river through the voices of those who know it, in an itinerary that reconstructs Tuscany, in all its cultural, naturali
“Fight, politics, fantasy, madness, expression. I made this film, detached moments, connected in my psyche: poetry intervention in the Gaiola style, my love for the sea, for women, for the Nemesiache, for beauty. I dream
The Nightmare is a live-action, impact virtual reality 360°experience with CGI, taking the viewer on a tour de force of sentiments. A nightmarish journey of a juvenile refugee from the Sahara to the Mediterranean, with t
Il mare di Palermo, a film that still lacks a plausible identification. Don’t think of sunny and serene relief. Stormy waves dominate: unstoppable and always beautiful. (Andrea Meneghelli)
A couple wants to have a child. They go fishing at a lake known to be inhabited by little boys...
Radu is having a hard time dealing with his mother’s death.
Little Ones Describe the Big World is not so much relevant as a sample of the directorial work of filmmaker Gabriel Barta as much as it is as an example of the early writing of one of Romania’s most peculiar and prolific