Lossless #1

In "Lossless No. 1," Baron and Goodwin attempt to visualize the difference between film and digital video by isolating a particularly powerful sequence of 48 frames from "The Wizard of Oz," scanned from a 35mm film print

The Hour of the Lynx

Helen, a priest, is approached by scientist Lisbeth with a desperate plea for help. A young man, who has been sent to a high security psychiatric ward after having killed an old couple, has attempted suicide while rambli

An Absence of Reciprocity in Vulnerability, Losses and Risks

A documentary study of the eye and its functions. A compilation of images from various places gives the function of the eye new meanings. It is a tool for instilling fear, the soldier uses it to find his target, and look

Insensible Losses

A doctor puts aside concerns about her own pregnancy as she works to care for a miscarrying patient.

Enter the Devil

After a female art student purchases a life-size wooden sculpture of a crucifixion from an abandoned church, she has a vision of herself being nailed to a cross and soon becomes sexually tormented by the sculpture when i

L'osstidquoi ? L'osstidcho!

Lossless #4

The picture has been removed from Ernie Gehr's Serene Velocity, leaving only the vectors that describe apparent movement within the frame. Here, a black void is filled with a grid of white dots from which white lines are

Lossless #2

Lossless #2 is a mesmerizing assemblage of compressed digital images of Maya Deren and Alexander Hammid’s 1943 masterpiece Meshes of the Afternoon. Baron and Goodwin play heavily with Teiji Ito’s 1959 soundtrack, making

Sometimes I get lossy

This is what happens when you spend all your time in front of a computer. Beware, childrens!!! – PL

Lossless #3

The keyframes — reference frames that define the starting and ending points of smooth transitions — from a digital version of John Ford's 1956 Western "The Searchers" have been removed, resulting in a fluid movement, "un

Freek de Jonge: Losse Nummers

L’OSSERVATORE DELL’EST

Federico is an eighty-year-old impoverished nobleman seeped in Risorgimento ideals. He buys an extremely cheap apartment in Gorizia that looks out over Piazza della Transalpina. The reason the place costs so little is im

Lossless #5

A three-minute digital video of a water ballet film by Busby Berkeley. Bodies become flowering abstractions, blooming and undulating forms slowly twirl and revolve. One scene resembles a chain of duplicating bacteria, sn

L’osservatorio nucleare del sig. Nanof

gains + losses

Through situational vignettes, gains + losses illustrates Leslie Supnet's thoughts on death and other personal, day-to-day anxieties. Made as a goodbye letter to a deceased beloved, the work touches on internal grief, te

Lorna Washington: Surviving Probable Losses

With 30 years of career in Brazil and the USA, female impersonator Lorna Washington reveals the secrets behind the scenes of his performances in documentary.

Experiment

A young woman, Anna, walks the streets of a foreign city. Her mind full of pain. No memory of who she is. and plagued by nightmarish visions. Then she meets Morgan, a man who also has no memory. Forced to trust each othe

Ice Age: Continental Drift

Manny, Diego, and Sid embark upon another adventure after their continent is set adrift. Using an iceberg as a ship, they encounter sea creatures and battle pirates as they explore a new world.

Onward Lossless Follows

A password-protected love affair, a little vapor on Venus, and a horse with no name ride out in search of a better world. Against the mounting darkness, a willing abduction offers a stab at tomorrow.

La pérdida

A reflection on the exile of an entire intellectual, scientific and academic elite that was forced to flee Argentina due to the political violence of the sixties and seventies.