l'Image du cinema
Translating his seminal semiotic work on the classic American cinema to video, Raymond Bellour, in collaboration with Philippe Venault, produced l'Image du cinéma as a visual discourse on the cinematic apparatus. Through
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Translating his seminal semiotic work on the classic American cinema to video, Raymond Bellour, in collaboration with Philippe Venault, produced l'Image du cinéma as a visual discourse on the cinematic apparatus. Through
The third part of the trilogy on representation, art, and politics is a collage of images and quotations with a congenial sound design by Ian Mikyska.
April 1939. Fascist Italy occupies Albania. Thousands of Italian workers, settlers and technicians are transferred to the country. November 1944, Albania is liberated. The new Communist government closes the borders and
DeLillo uses the documentary form to explore the relationships between gunmen and the novelist, words and images, the power of news and the obsession with apocalypse.
The film presents a courtroom-style case against bad weather—specifically snow, sleet, and rain—accusing it of damaging the public image of businesses, particularly service stations. The prosecution argues that poor weat
Scottish alt-rock band The Joy Hotel travels to La Frette Studios on the outskirts of Paris, France to record their sophomore album. Confined to the house for three weeks, the delicate dynamic begins to fracture, forcing
Centring around a 1989 home video shot by the director’s uncle in Karachi, this film deals with questions of representation. Through acts of reading, recoding and repetition, the work asks what it means to be looked at w
In this ambitious work, popular actress Hayashi Yumika plays a fictional version of herself, transformed into the queen of an image club. Under the direction of Fukamachi Akira, who knows the pink film world inside and o
An exploration of the music of Wolfgang Voigt's GAS project, a kind of ambient techno inherently connected to the visual of the forest.
The protagonist of the film is an elevator operator named Jesus who lives in Bilbao, Spain. Day after day, he spends most of his life in 2.5 square meters. meters. There he observes someone else's grief, someone else's h
This film portrait of Asger Jorn is based on interviews with artists and friends with whom he was in a close relationship during the years 1937-1973. They were recorded in 1987-89, a time when their memories of Jorn were
"...the main thing, both during filming and during editing, was not to pay attention, simply to wait to be surprised by a detail and let myself be carried away to another visualization in a dance-like movement."
A film essay about the formal similarities between Michelangelo Antonioni and Alfred Hitchcock's work.
If we can access our past at any given moment, to what extent can we get rid of it and look ahead? What consequences do the access to a digital memory (including access to the words, images and sounds of the horrors of t
Recorded at Nakano Sun Plaza on 1st and 2nd of July, 1983. - Set List - 1. Low Life / 2. Annalisa / 3. Religion / 4. Flowers Of Romance / 5. Death Disco / 6. (This Is Not A) Love Song / 7. Public Image /
At the end of the 18th century, Florentine artists recreated in wax the bodies laid bare by the surgeon’s scalpel. In a symmetrical gesture, this Little Anatomy dissects the images themselves, performing incisions, graft