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The translator of the Tanakh into modern Yiddish, the poet Yehoash (Shlomo Blumgarten), came to the land of Israel from New York in 1914 and settled in Rehovoth. He wanted to live in the ancestral land, and being ill wit
This is a film about a man, with a peculiar itinirary, who worked hard to build a bridge between the Arab and the French cultures. A kind of testimony, alternating narration and conversations where the evocation of onese
American soldier and showman Buffalo Bill Cody and Native American Oglala Lakota Chief Iron Tail, seated in chairs outside a tent as they interact with each other using sign language.
A look back at the largely undocumented period of early Chinese-language horror cinema, beginning in Hong Kong and the Shaw Brothers and graduating to Taiwan and the production of Calamity of Snakes in 1983.
Includes Spanish, French, Mandarin Chinese, Italian, German, and English audio tracks – all on one DVD. Kids learn simple words and phrases for playful outside activities, picnic foods, animals, and more
Bushkida is a documentary film about Judeo-Spanish, also called Ladino. Ladino was the language of the Sephardic Jews, who were expelled from Spain in 1492. It is a miracle that this language is still spoken, despite the
The curious crop circle phenomenon first appeared in the mid-1600s, known then by locals as “The Devil’s Mowing.” But once the 1970s arrived, the appearance of crop circles exploded. Centered around highly charged electr
Documentary made in two parts by Luciano Berriatúa. This first part focuses on childhood, personal life and the early works in films by German director F.W. Murnau.
The film immerses viewers in Moscow’s art scene from the late 1980s through the early 2000s. We encounter Joseph Backstein’s curatorial experiments, the performances by the Collective Actions group, the practices of the
Shows indirect language stimulation techniques for children highlighting such concepts as child centered parallel talk, object centered description and self-talk.
Retake follows the journey of co-directors Gwaai Edenshaw (Haida) and Helen Haig-Brown (Tsilhqot'in) as they work to produce The Edge of the Knife, a feature-length film told entirely in the critically-endangered Haida l
A portrait of Kherson during the flooding after russian invaders blew up the Kakhovka hydroelectric station. Through a personal story of being there.
The work is a video-poem, an exploration and reflection on the sense of vision as a tool to understand signifiers - but also and more importantly, as means through which we can interpret something by feeling it on an int
