SCREEN TEST [ST199]: GERARD MALANGA

Gerard Malanga has been brightly lit from the front, and has tilted his head slightly backwards, which makes his neck bulge; he holds still throughout the film, his left eye filled light.

Sisters of the Screen - African Women in the Cinema

Exploring the extraordinary contributions of women filmmakers from Africa and the diaspora, Beti Ellerson’s engaging debut intersperses interviews with such acclaimed women directors as Safi Faye, Sarah Maldoror, Anne Mu

The Dialogue: An Interview with Screenwriter Callie Khouri

Callie Khouri's seminal, Oscar-winning® screenplay for Thelma & Louise, released in 1991, gave voice to a profound cultural moment and became one of the most provocative cinematic landmarks of the '90s. It was the Ke

Screensaver

After a visit from a computer repairman, a pensioner's laptop becomes infected with a virus that has a strange effect on her consciousness.

Screen Test [ST238]: Nico

Nico, filmed with an unmoving camera, reads a magazine. She scratches her head, flips her hair, looks glumly at the camera, and then rolls the magazine into a tube and peers through it.

Murder on the Screen

An educational short film by the Eastman Kodak company on the proper care and handling of film.

Screen Test: Harry Smith

Harry Smith’s screen test by Andy Warhol.

Big Visions and Small Screens: Dennis Potter on Film

Film historians Jon Dear and John Williams on the big screen adaptations of Dennis Potter.

The Dialogue: An Interview with Screenwriter Paul Attanasio

Paul Attanasio's nuanced screenplays for Quiz Show and Donnie Brasco earned him Oscar nominations, and he recently wrote The Good German for Steven Soderbergh. In this intense dialogue, Attanasio describes how he transfo

Last Screening

Art and life are different worlds, separated by an impassable abyss. Where there is life, there is no art, and vice versa. Young artists have to make that choice, sometimes from a rather young age.

Silver Screen Suicide

A lonely alcoholic becomes mesmerized when his favorite classic movie star begins to talk to him through his television set.

Eyes on the Screen

Arvid and My are on a date at the movies. Suddenly Arvid hears My crying next to him. Arvid asks her why. Her answer brings back repressed memories of a childhood, a loving father and lots and lots of Hot Wheels. Arvid n

Anatoly Grebnev. Diaries of a Far from Last Screenwriter

Screen Test [ST286]: Barbara Rubin

Barbara Rubin, posed against a white wall and brightly lit from the right, smokes, shifts position constantly, glances around, leans forward to put her cigarette out, and gazes off into space. Near the end of the film, s

The Hammer of Witches: The Screech Owl

From Alexander Paspa comes the follow up film to Malefica (2018). When a string of missing children cases are yet to be solved, a private detective and his partner are the last hopes for the families. Quickly, everyone i

Screen Kiss

In a mock documentary style, the film explores the duplicity of two actors and their director. The actors kiss on screen but away from the camera they secretly hate each other.

Screen Test [ST310]: Edie Sedgwick

Begins with a close-up of Edie Sedgwick powdering her face with a powder puff. She is wearing two different earrings and has been lit harshly from the right. She holds her hand up against the light, laughs, and says some

SCREEN TEST [ST48]: LAWRENCE CASEY

The actor Lawrence Casey begins his screen test by staring solemnly into the camera,. He then lifts his chin slightly and begins an uncanny, slow-motion transformation of his expression from complete neutrality to manic

Screen Test, Billy Linich

One of two(?) 1964 screen tests of Linich. Runs 4 minutes, 24 seconds in length.

The Last Screening

On the night before the full-scale invasion, an old movie theater in Kyiv becomes a refuge for two strangers—Luka, a projectionist, and Varya, a mysterious girl. As alarming news comes in from all sides, they try to esca