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How was Adolf Hitler able to count on the German public even in the face of unspeakable suffering and impending doom? Evocative and previously unseen private archive footage, much of it in colour, shows life in Nazi Germ
Landscape photos Cameroon: "Sacha" rubber plantation near the coast, workers tapping the trees and emptying the rubber that has flowed into cups into buckets. Individual processing steps for rubber in a factory. Mechanic
The Dutch documentary filmmaker Joris Ivens (1898-1989) received the honorary title 'Old friend of the Chinese people' from the Chinese communist regime. One of the reasons was the fact that in 1938 he gave the communist
The Shuar Indians live on the western edge of the tropical rainforest, between the Amazon lowlands in the east and the Andean highlands in the west, on the territories of the two states Ecuador and Peru. "Earlier, when
Militant Dutch documentary about 1973 protests in the Netherlands against the Chilean Pinochet regime.
The film begins with the First World War and ends in 1945. Without exception, recordings from this period were used, which came from weekly news reports from different countries. Previously unpublished scenes about the p
The first part of the film shows parallels between Christianity and Marxism. The second part describes the influence of both the Judeo-Christian background and that of other religious critics on Marx's position as a crit
The passion of Christ, based on J. S. Bach's "Johannes-Passion". Its mix of music, speech, dancing and singing re-creates the style of antique Greek tragedies.
A documentary-montage of sketches, photos, storyboards, and film excerpts that is accompanied by Volker Schlöndorff's thoughts about his 1979 film THE TIN DRUM.
June 26, 2015. The main event was the fight between the two heavyweights, Cheick Kongo and Alexander Volkov.
The life and work of the brilliant German filmmaker Volker Schlöndorff, a cross-border artist who, by leaving Germany and making the whole world his place of work, acquired the objective perspective necessary to portray
In this feature-length interview, conducted by Robert Fischer in February 2015, Volker Schlöndorff talks about the making of his film BAAL (1969), based on the first play ever written by Bertolt Brecht. He describes his
Interview with Volker Koepp about his filmmaking practice conducted and directed by Christoph Hübner
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Rich