Notes of a Wind Chime
"What started as a COVID response film and because I missed a street in NYC evolved into a diary jukebox essay on navigating connection and healing. I wanted this to be my first truly 'positive' film. If Jonas is insanit
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"What started as a COVID response film and because I missed a street in NYC evolved into a diary jukebox essay on navigating connection and healing. I wanted this to be my first truly 'positive' film. If Jonas is insanit
An interview with Peter Bogdanovich and Henry Jaglom who were presenting films at the ninth New York Film Festival (1971). The documentary was first presented on the television program Camera Three.
A stranded space traveler laments his solitude and the ways in which he's spent his time.
That provincial time flows differently and allows you to see differently, to look at the world more closely.
The passenger regularly consults the name written on his ticket. He wants to make sure he is not traveling in somebody else's place. The scenery remains unchanged. The same chain of islets, the same shores, the same moun
"This Oscar-nominated short subject documentary film discusses the issue of how to feed a growing world population. The film, which was shot in locations around the globe, including Brazil, Uganda, India, and Taiwan, was
Notes for a sardinian story
Martin Scorsese is renowned for his masterful use of music in his films. His relationship with music is deep and complex, and he considers it a crucial element of cinematic storytelling. In many of his films, music plays
Akif left Germany to join up with the PKK guerrilla fighters. His diary records the doubts, dreams and political discussions that the fighters share as they march through the mountains, and in the meetings where the wome
In the form of a filmed diary, the director takes notes of the impressions and intentions for his upcoming feature film Two Pieces/Eva.
Kira, faced with the mourning of her mother and the tensions with her former best friend, Tessa, sees her day at high school change. She finds herself in a duet with Cody, Tessa’s boyfriend, which displeases Tessa. But t
Isolated from the rest of the action, this time the pram from Eisenstein’s Odessa Steps sequence in Battleship Potemkin really crashes to the bottom.
Saxophonist Art Pepper (1925-1982) lived the kind of jazz life only found in Hollywood movies. His prodigious talent led him to top gigs as a teenager, but drugs and attendant criminal activity knocked him out of commiss
Inspired by Impressionist painters, I observe Lake Thun and Canal Saint-Martin, using my camera to paint the screen with light, as opposed to applying colors and shapes to a canvas with a brush. The encounter between col
A 1968 short documentary film by Pier Paolo Pasolini where he visits India in the search of a king who could give up his body to feed a starving tiger.
An autobiographical collection of instances that describe the action of living in a post-industrial landscape, the end of a love story and the politics of what is private and what is public. The camera, as a device for r
In the post-war devastation, a little boy, the son of a former enemy of the people, is desperately trying to survive after a severe spinal injury. Self-belief, love of life and music work wonders.
The director’s diary told in still images of a dramatic period in which he becomes first a father and then almost loses the love of his life when his girlfriend – filmmaker Lea Glob – goes into a coma after giving birth.
Luke is an alcoholic and a petty thief. Once a talented drummer, he is now busking on litter bins and strumming Rossini on his teeth. Estranged from his wife and son, he becomes obsessed with a girl that reminds him of h
Documentary portrait of the actress Romy Schneider, in which director Frederick Baker tries to form an overall picture from the facets of image, myth, real life and screen persona.