Fragments of Life, Other People's Lives
A second, penetrating look at other people’s discarded images in a reflective essay film about lost photographs.
Found 600 results Back to Home
A second, penetrating look at other people’s discarded images in a reflective essay film about lost photographs.
The film shows, in an experimental and documentary way, the degraded environment and the sexual atmosphere of the porn theaters in downtown Rio de Janeiro. Spaces, once majestic cinemas, have become unhealthy places in a
Experimental film on 16mm by George Sabau as part of Kinema Ikon.
This is the only fragment known to exist of the mysterious work of obscure Irish experimental filmmaker Anthony Jervis Moran (1947-1986)
In 2016, Internet artist Jonathan Harris inherited High Acres Farm, an estate in the American state of Vermont that has been owned by his family for multiple generations. It is a place of great natural beauty, but has al
Healing people with music is an ancestral practice in Madagascar. This film shows the relationship between music and mental illness, through the work of some malagasy music therapist.
After her groundbreaking mixed-media solo-concert Fantastic Gardens at Judson Memorial Church --which Jonas Mekas called “by far the most successful and most ambitious attempt to use the many combinations of film and liv
We, creatures, just live and die. That's really enough, wonderful and shining. I expressed such an image in this hand-drawn animation. I spent about a year working one-on-one with this work, and was able to produce it su
Documentary.
With no destination in mind, he lets himself be carried away by memories and melancholy. As he walks, philosophical reflections intertwine, creating an introspective and contemplative narrative about the human condition
the first fragments series based on memories of my childhood. 16mm Handmade Painted / Printed / Mixed Media
These are fragments of memories that interpret the human condition in a specific space and time, capturing the minuscule human existence. We record images to extend our memory but they will never replace our experience.
The life of filmmaker Enrique Juárez, reviewed at the same time by family, friends, and fellow activists, is the excuse to address the 1960s and 1970s of the 20th century, when an entire generation awakened not only to t
Using highly-manipulated and over-processed images, Latham investigates the process of video as inherently fragmented. Weaving together various people’s impressions of the artist and her work, the work demonstrates impor