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Eric Leiser is an award-winning artist, filmmaker, animator, puppeteer, writer and holographer working in New York and born in California. This program is available on kinoscope.org
Survival Research Laboratories' fiery show in Phoenix. Staged Jan. 28, 1996. 23 minutes of hell on earth.
An Ex Military specialist is called in one last time to recover deadly military experiment (PHOBE) who has escaped. Tracking the PHOBE to a small planet called Earth, Dapp must stop the Phobe and destroy the egg within 7
Experimental film from the first semester of the Cinema course at Faculdade IESB, the purpose of the short film is to cause feelings of melancholy in the audience, with scenes and soundtracks that express a feeling to th
Junichi Yaoi talks about secret theories about aliens.
is it experimental? number 3 uses repetition and photographs of the artist’s chaotic and cramped production environment to expose the working conditions that plague experimental filmmakers without access to a professiona
Just a test with a camera, some shots, with an old filter that makes it look flawed, precisely for aesthetic reasons.
A focus group are shown 'Experimental Film No. 1' and don't understand it, meanwhile The Director attempts to reflect on his work and previous relationship.
A young man recently discharged from a hospital in SoCal arrives home to discover he has been enlightened.
What matters at the end of humanity?
Dr. Niles is searching for victims to materialize his sadistic thoughts. "Prisoner 068" starts where "Granny loves you" ended, the doctor abducts Roux with an eye to the exploitation of her body.
Culled from 3 decades of experimental film and video footage, specially enhanced with visual effects, this DVD is all you need to create a psychedelic light show experience! Combine with your own music and play on your T
The children of isolated desert town Sunderland face an all-consuming choice: They can attend school to learn the teachings of The Angel, an extraterrestrial being that arrived 10 years ago, and 'Evolve' like their paren
Frequently comical, often risque, and sometimes just plain baffling, the twenty films of this anthology challenged the precepts of the visual representation of narrative, thereby inventing the photographic and editing te
From the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its
Surrounded as we are by the proliferation of photographic images, we sometimes confuse these images with the actual, embodied experience of seeing. In reality, only a small central portion of human vision is sharp like a