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Podhu Nalan Karudhi

The lives of a few people get affected when ego clash erupts between a few cut-throat loan sharks

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Ela Pode Tudo

Você Pode Ir

Poslední Podskalák

Podivná nevěsta

If the shoemaker Prokop did not know how to sew such wonderful shoes, he would hardly have met a mysterious girl named Serpentia. Prokop is about to marry his Verunka, but the mysterious Serpentia charms him and when she

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Satanic Power

A deceived woman makes a pact with the devil to curse her unfaithful lover.

Ako's First Journey

An animated, combined film using loose matter (colored salt) as the animation medium. The resulting images resemble sunny and joyful children's drawings. The audio backdrop is provided by the voices of children: Ania, Kr

Comigo Ninguém Pode

An artist from Maceió rediscovers the joy of living through art, on an island that isn't in the sea, in a time outside her own moment. Within a sphere of yearnings and anxieties, she manages to numb the day-to-day halluc

Deus Pode Ser um Ator

Propulsion of imaginaries into signs, fantasies, and faces—crafted from elements belonging to or characteristic of popular festivals found in the interior of the State of São Paulo.

Jaromír Nohavica: Z podia – On The Road 2008

Forenoon of a Faun

The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the thir

The Power of Vengeance

A revenge tale.

Nieskończoność dalekich dróg. Podsłuchana i podpatrzona Zofia Rydet

Andrzej Różycki's film is not only a portrait of Zofia Rydet, a female artist, and her working methods, but also a capture of maturity and great passion. Rydet lets the viewer into her world, allowing them to observe her

Podojená kráva

A Czech animation.

Oberhausen, Duisburg, Dortmund, Dusseldorf, Hannover, Hamburg, czyli non-camerowy reportaz z podrózy po Republice Federalnej Niemiec

"Julian Józef Antonisz's 'Polish Non-Camera Chronicle No. 6' was honored at the 30th International Short Film Festival in Oberhausen (1984) with the Grand Prize and the FIPRESCI Award. On this occasion, the film's direc