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Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. T
Cine Follies is a film anthology focusing chiefly on French comedies and musicals of the 1930s interspersed with newsreel footage. Among the stars featured are Fernadel, Josephine Baker, Jean Gabin, and Maurice Chevalier
This short documentary captures the history and the current state of decay of the Cine Brasília: a movie theater founded in 1955 that became an important cultural fixture in the town of Carazinho, Brazil. In the 2010s, i
Every day, from 5pm to 10pm, a particular cinema opens its doors in the city center.
A breakdown occurs in a factory on the banks of the Danube and a ministerial team begins an investigation. Alexandru Nedelcu is the inspector who came to investigate and has the complicated mission of finding the truth.
compilation vid
A Concrete Cinema draws close to the intangible spell that is implied by the need to somehow belong to film, to give something back to it, even if we feel it is impossible. The film tells the story of Omar, a constructio
A thesis on the history, the successes and failures of Venezuelan and Latin American cinema as a whole; demonstrating how little interaction there is between Ibero-American cinema
The rocky desert in southwestern Algeria is the temporary home of about 150,000 refugees from Western Sahara. Goats grazing or the opening of a beauty salon are among the many scenes of everyday life of people who are ea
After meeting a beguiling woman in a movie theater, a realtor becomes embroiled in a mysterious plot involving murder, double identities and movies.
On the occasion of the regional elections of 1970, the Italian Communist Party seizes a new model of propaganda and counter-information developed in France during May 68: the cine-tract.
A marathon of strange and bizarre clips! Why fill yourself with audiovisual madness!
A fortuitous meeting, late one afternoon, in the garden of the Tuileries, of one or two cameras, a tape recorder, and three cameramen/directors, Raymond Depardon, Jean Rouch, and Philippe Costantini.
Comedy set in 1977, in which a renowned playwright (Alberto San Juan) tries to shoot a social protest drama starring a doldrums folk, former child star (Natalie Poza) and produced by a producer and shameless liar (Miguel
What no one sees off the big screen.
A compilation of the origins of Argentine cinema up to the 1960s.
An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the q