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In his meetings with various different people, Jean-Luc Godard develops his thinking about history, politics, the cinema, images and time, and this will lead to his exhibition as an artist at the Pompidou Centre. Jean-Lu
a short filmed on the set of Jean-Luc Godard's "Weekend"
Julio, a young man in his twenties, is in a relationship with Gladys, an older woman worried about not appearing like his mother. Amid hidden feelings and the complexities of love, they discover in a downtown café that t
Documentary about two young Spanish filmmakers who challenge Jean Luc Godard to a tennis match, and in the way to the game, they will visit his colleagues, and friends in order to know him, and offer a new approach to hi
An inquiry into two of the most influencial French filmakers friendship and feud.
Jean-Luc Godard and Philippe Sollers meet in Paris to discuss Godard's film Je vous salue, Marie, and many other things.
To mark the 30th anniversary of Kodak's invention of the Super 8 format, the Close Encounters of the 8th Type in Tours, France, asked filmmakers to make a film in this format. I was the only filmmaker to respond favorabl
In 2009, in a small theater in Geneva, Switzerland, the film directors Marcel Ophuls and Jean-Luc Godard met for an unusual, surprisngly intimate and sometimes contentious dialogue with each other in front of a live audi
A short film utilizing Google Maps' StreetView feature where Jean-Luc Godard and Anne-Marie Miéville are captured walking the streets of Switzerland. Set to music from Godard's film "Contempt" composed by Georges Delerue
“The band Subway Sect and their enigmatic leader Vic Godard emerged from the early London punk scene as a more detached and cooler alternative to their rowdy contemporaries. … Derailed Sense follows Godard as he forges h
Jean-Luc Godard interviewed by French Critic Serge Daney at the time when Godard was working on his project "Histoire(s) du cinéma".
Paul Wendkos was a bit of an auteurist fetish object in the early 1960's, when his career in theatrical features reached its pinnacle. He made his mark with such genre outings as The Burglar (1957) and Face of a Fugitive
After offering spectators a projection/comparison of extracts from 17 films (each time, the first 5 minutes of their second reel) entitled "Une histoire A/B du cinéma" (A/B history of cinema), Jean-Luc Godard becomes a f