Hyper Projection Play "Haikyū!"
The first stage play adaption of Haruichi Furudate's Haikyū!! series. Described as a "hybrid performance," the play mixes manga, live-play, and video to create an unforgettable experience for its viewers.
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The first stage play adaption of Haruichi Furudate's Haikyū!! series. Described as a "hybrid performance," the play mixes manga, live-play, and video to create an unforgettable experience for its viewers.
Remote Viewing is a clairvoyant perception of a distant location. Mentally, you visit a person or place and use your inner eyes to accurately observe surroundings and occurrences. Astral Projection is leaving your physic
Early tests 1937 - 49. Shows two examples: the first has a man cowering from two huge fighting monsters, the second shows a glimpse of ancient man.
Hyper Projection Play "Haikyuu!!" The Trash Can Battle is the tenth stage play adaptation of Haruichi Furudate's Haikyuu!! series. This play focuses on the long-awaited and infamous Battle of the Trash Can between Karasu
Is the second stage play adaption of Haruichi Furudate's Haikyū!! series. The stage play is split into two acts and covers the second half of the Karasuno High Team Formation Arc (the Karasuno vs Nekoma practice match),
Philipp Gufler's video installation "Projektion auf die Krise (Gauweilereien in Munich)" provides a kaleidoscopic look back at the beginnings of the AIDS crisis in Germany in the 1980s - a time when Munich's repressive p
Hyper Projection Play "Haikyuu!!" Fly High is the ninth stage play adaption of Haruichi Furudate's Haikyū!! series. The play combines manga, live-play, and video to continue to challenge the "top" of theater and achieve
This stage play is focused on Nekoma as the main team as they face off against Fukurōdani Academy and Nohebi Academy in the Tokyo qualifiers for the Spring Interhigh.
An outdoor performance and film screening that brings together all of the short animated films from internationally renowned South African artist William Kentridge's Soho Eckstein series.
The sixth stage play adaption of Haruichi Furudate's Haikyū!! series. This stage play covered Karasuno's matches against Aobajohsai and Shiratorizawa.
The third stage play adaption of Haruichi Furudate's Haikyū!! series. The stage play covered the Interhigh match between Karasuno and Aobajohsai.
Hollywood has made up their minds, forcing theaters to convert to digital or go dark. As theaters around the world change to newer digital technology, the job of the 35mm film projectionist is becoming irrelevant. Going
The fourth stage play adaption of Haruichi Furudate's Haikyū!! series. The stage play covered the aftermath of Karasuno's loss to Aobajohsai and their subsequent training camp in Tokyo.
The fifth stage play adaption of Haruichi Furudate's Haikyū!! series. The stage play focused on Hinata and Kageyama developing their new attack, as well as portraying the stories of other members on the Karasuno team. It
Hyper Projection Play "Haikyuu!!" - Itadaki no Keshiki (A View from the Top) is the second installment of the hit 2.5D stage play series directed by Worry Kinoshita. It follows the Karasuno High boys' volleyball team as
The eleventh stage play adaption of Haruichi Furudate's manga series "Haikyū!!".
On stage at the Salle Wilfrid-Pelletier of Place des Arts, four students from L'Atelier lyrique de l'Opéra de Montréal plumb the depths of the human soul through four characters of Verdi’s masterpiece Rigoletto (1851) :
As a tribute to projectionist Allen Hibel, Maude, a young Beaubien employee studying film decides to take photos of the cinema for an assignment. Upon entering the projection booth, she discovers the space’s evocative, l
7th dan Aikikai of Tokyo, Christian Tissier is the essential reference of the authentic Aikido in Europe. In this double box it offers, in a simple and accurate, the discovery of the fundamental principles of Aikido thro
Collective project curated by Beatrice Mazzone "Projections #2 - Water? " refers us to a present ecological questioning of human development and the prospects for human survival in the face of the increasingly less avai