Persian Series #7

Very pale, thin, hieroglyphic pinks, greens and blues in a white space which is thickened over by ribbed mashes of these colors which "dissolve" into varied shapes almost suggesting landscapes and ephemeral bouquets. Dar

Persian Series #12

"Hot" by-play of reds-greens-yellows in black, blurred, finally, as the color shapes are shifted violently from side to side, finally ending of a sharp entanglement of multicolored twig-like and/or stem-like forms.

Persian Series #13

Persian Series #13 is a series of extremely dark images, mostly in purples, greens, and fiery red-orange-yellows, shifting one to another in displays of textured shapes which suggest a thick tangle weave of threads.

A Persian Rug

The film frame sometimes seems to function as a rug-like rectangle into or onto which the lover steps. Filmed in Orselina, Switzerland after reading the 'The Sufis' by Indries Shaf.

Persian Series #11

Persian Series #11 begins with a "window" of yellow paint adrift in the full frame of multicolored paint-shapes. Alternating black-space/white-space exists as a back-drop for slashes and curves of color - reds and blues

Persian Series #2

Multiple thrusts and then retractions of oranges, reds, blues, and the flickering, almost black, textural dissolves suggesting an amalgam approaching script. Preserved by the Academy Film Archive in 2013.

Persian Series #18

Persian Series #18 is almost calligraphic in its overlays of dark (occasionally colored) glyphs backed by brilliant color motifs.

Finnish Knife, Persian Lilac

Short feature film based on A.Vampilov's short story "Finnish knife, Persian lilac" 2015.

Persian Series #8

Pale petal and stem-like shapes counter punted rhythmically by an even paler "background" of truly ephemeral of truly ephemeral (almost invisible) shapes. Again, the foreground movement is clockwise and often "ribbed" as

NO TOQUES UNA PERSIANA CON LAS MANOS MOJADAS

Persian Series #3

Dark, fast-paced symmetry in mixed weave of tones moving from oranges & yellows to blue-greens, then retreating (dissolves of zooming away) to both rounded and soft-edged shapes shot with black. Preserved by the Academy

Persian Series #9

Sharp edged "chunks" of color set in black, straight, often multicolored, lines piercing shapes, imprisoning them, until they are fragmented bits of color in black: repeat of this theme again and again until darkness pre

Persian Series #15

Persian Series #15 is a rapid shift of patterns black & white playing off against muted coils of color.

Persian Series #14

Persian Series #14 is composed of muted color-shapes shifting variably in juxtaposition and contrast with high-contrast black & white abstract patterns.

Persian Series #1

This hand-painted and elaborately step-printed work begins with a flourish of reds and yellows and purples in palpable fruit-like shapes interspersed by darkness, then becomes lit lightning-like by sharp multiply-colored

Persian Series #17

Persian Series #17 is a series of quite distinct globules of paint brilliantly colored and shifting as if vertically in the plane (as different from the more horizontally oriented previous parts).

Battle of Persian Gulf I

The Persian Gulf Battle" is a 2016 Iranian animated war film directed by Farhad Azima. Set during the 1980s Iran-Iraq War, the story unfolds with an unprovoked attack by Saudi F-15 Eagles, piloted by French and American

Persian Garden

Persian Garden, gives a behind-the-scenes look at the largest and most ambitious art exhibition in Iran since the 1979 Islamic revolution.

Visualtraveling: The Persian Version

Skating has taken root all over the world for decades now. Except in Iran. This is an incredible first-look at a country essentially experiencing skating for the first time.

Persian Tales, Jean Rouch in Iran

Persian Tales, Jean Rouch in Iran is about the discovery of the deep relation of Jean Rouch with Iranian filmmakers. Jean Rouch, a French filmmaker and ethnologist, traveled three times to Iran in the 1970s . He gave sev