Prelude 22
Prelude 22 is a singly-printed hand-painted thick black and gold swatches of color which evolve into forms that are horizontally and vertically sliced, smeared, cut-off until color "runs" sensuously in snake-like shapes,
Found 203 results Back to Home
Prelude 22 is a singly-printed hand-painted thick black and gold swatches of color which evolve into forms that are horizontally and vertically sliced, smeared, cut-off until color "runs" sensuously in snake-like shapes,
Singly-printed evolution from a deep blue-blackness of hard-edge twisting and sweeping bars and deep black swirls of dry-cracked and electrically "webbed" blotches, giving way to mixtures of bright blue and deep black sw
A modeling agency provides the perfect setting for many romantic skirmishes between a brother and sister who share its inheritance. At first the two despise each other, but soon, the fine line between love and hate is ab
Prelude 24 returns to the tempo of single-frame printing. Its shapes and forms are composed of nearly black torques of ink, flickering with white and only faintly, now and again, tinged with color.
Double-printed thinnest possible lines and multiple dots of pale color interwoven with sweeps of linear tones in swiftly transversing motion, all deepening from this almost white field of flitting activity to some solidi
Thick weaves of multicolored lines and dull-colored blobs play off against each other.
death is not extinction
In the winter of 2021, American pianist and composer Richard Sears embarked on a journey to a secluded corner of Latvia, drawn by the reputation of David Klavins, a celebrated instrument maker renowned for his ground bre
Russian short film.
A highly stylized short film which whimsically illustrates the short sliver of time between the "Big Bang" and the present. The exhilarating visuals and powerful score transcend the spoken word, and show us that element
Six rebel figures have taken refuge in an abandoned sector against a genetically enhanced superhuman race.
Entering a nightmare induced by a self-imposed exile an unnamed man expresses regret and foreshadows his downfall while driving down an isolated rural road at sunset.
The first in a series that reconfigures and interrelates two parallel modes of inquiry into the nature of reality. Formatted as a Hanna-Barbera and early Disney animation short set in the distant future—moving images for
Prelude to Happiness is the story of Susan Imes, a young, pretty blonde in love, breezily skipping down the primrose path until “the accident”.
Short film by John Hoffman.
...as removed as possible from any recognition of either exterior scene of interior feedback phenomena. It is, in its ineffability, as close to pure visual music as I can make it, more inspired by The Preludes of Bach or
A woman becomes obsessed with a horrific event that shapes her life forever.
Much depth of multi-colored thickened shapes which appear to be superimposed upon each other, semi-transparent in their "weave" with each other which is increasingly interrupted by ragged-edged blobs and smears of color.
A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circle