Le Cinéma au travail comme la mort
A brief meeting with the writer and playwright Roland Topor in his studio.
Found 3,431 results Back to Home
A brief meeting with the writer and playwright Roland Topor in his studio.
In a small country town, in the room behind the screen at the local cinema, two women spend their time by writing letters to Alain Delon. Inspired by The Physics of Sorrow by Georgi Gospodinov.
A deep dive into the current state and business of independent cinemas operating in Manchester, UK. The declaration that "movie theatres are dying" gets tossed around a lot these days. But is that really the case? Let's
Reel 7 of Gérard Courant's on-going Cinematon series.
A short movie about coming back to the cinema after lockdowns.
Reel 16 of Gérard Courant's on-going Cinematon series.
Speaking of French cinema, we can only see Un homme et une femme or Les 400 coups but what is 'French Cinema in general'. So I tried to make this film. What makes French cinema 'French Cinema'? What is France? France! Th
Hey Duggee at the Cinema! is a compilation of cartoons in which a friendly dog runs an after-school club.
Why did Simenon, a novelist who contributed so much to the seventh art, like to say that he hated the cinema? Because he could never become a director? Because, claustrophobic, he was unable to lock himself in a projecti
This early quick-fire cut-up animation melds machine gunfire with scratched film. The soundtrack was made by Keen in 2007 with a wasp synthesizer and a shortwave radio.
In the Seventies, Djouhra Abouda developed a cinematographic project in the labs of the Université de Vincennes in Paris with the architect Alain Bonnamy. Together, they produced various experimental films in 16mm “conce
A psychological horror film about a film actor haunted by the roles he plays, where the terrors of horror movies invade his everyday life. Knives, mirrors, and whirring cameras on tripods stalk him relentlessly, even whe
Jeanne Moreau, filmed by Jacques Rozier, meets with Jerry Lewis, Barbet Schroeder and Orson Welles, among others.
The ghosts of a 19th-century slaughterhouse haunt the Cinemateca Brasileira: where cows once died, films now end up. Montevideo's former Central Market houses the Cinemateca Uruguaya. A power plant now houses the Museo d
Adrian Martin and Cristina Álvarez López explore the joy and regret of nostalgia with one of the cinema’s great, spare poets of sense-memory.