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After the war, many filmmakers were expelled from the Japanese film industry due to the Toho Dispute and the Red Purge. Amid such circumstances, there were people who set up their own independent production companies and
The 'National Documentary' captures the last months of the National Theater led by Róbert Alföldi. The film presents two opposite processes: the rehearsal of the play Mephisto, Alföldi's last direction and, in parallel,
On May 8, 1978, it was unusually quiet in the Aftonbladet editorial office. A stenciled document lay on every desk. "About our life at Aftonbladet, by the women in the Aftonbladet editorial office" was the text on the re
Misuzu Murai had a hobby of divination in college, Yokoyama often lets Misuzu do divination, one day, Yokoyama's grandson got sick and needed surgery, Yokoyama hopes to do something for grandson and let Misuzu do divinat
A documentary about Aziz Nesin.
Rainer Langhans – the old hippie with the long, white hair – is preparing for his death. The self-proclaimed last of the ‘68ers, co-founder of Commune 1, self-promoter, and contradictory outsider lives with his companion
A New Year's Eve special.
A school is preparing to perform Romeo and Juliet and then things go wrong.
A school is preparing to perform Romeo and Juliet and then things go wrong.
Interview with Jürgen Böttcher about his filmmaking practice conducted and directed by Christoph Hübner
Among the "political" filmmakers who got their start in the student movement, Harun Farocki is perhaps the most formally brilliant and conscious, and today he is exploring new documentary territory with his video install
With his background in Brechtian theater and the material-like, pure poetic style of his documentaries, Thomas Heise has created his very own kind of filmic expression.
Despite or perhaps because of his position at the public television channel ZDF, Hans-Dieter Grabe has developed his own unmistakable signature style which falls between journalism and documentary (similar to Klaus Wilde
For three years, filmmaker Staffan Julén has traveled with Svetlana Alexievich in Belarus and Russia to document her working method when her reportage books are created. At first, filmmaker Staffan Julén wanted to make a
Features the arrival of the evil, pterodactyl-riding Black Baby, whom Ultra B fights with the aid of his cohorts Super Baby Robot and Muscle Bird.