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Les Parois de la Mémoire – Le Pilier Central du Frêney is a 25-minute documentary film directed by Jérôme Equer in 1994 and broadcast on the FR3 weekly program Montagne. The film highlights the tragic story of the July 1
Ania Kowalski has a large scar on her skull and lives under constant medical control. If her apartment is comfortable, her actions, gestures and moods are recorded and analyzed by several hidden cameras. Ania will told h
A young girl recalls the communal Friday family dinners, a time of tradition and airing of diverse opinions. Recalling the history of Morocco and those who tried in earnest to affect change, the experiential nature of th
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema i
In April 2004, the Bassin Houiller Lorrain coal mine ceased all activities leading to the closure of its last well in Moselle, the last French well. This film is the culmination of a poetic expression that explores the l
The same sequence is mingled with itself, calibrated according to curves that draw shapes on the blue or on the yellow, creating shifts in the thickness for a search of volumetric effects.
Garlat, a former cop, agrees with Voltaire's maxim, but when confronted with evidence manipulation in one of his former investigations, he is forced to ask himself other questions. Is memory selective? Did he really fabr
One year after the death of Simone de Beauvoir (14 april 1986) Delphine Seyrig pays homage by visiting her grave. which she finds still covered with flowers and letters from all over the world.
Upon his release from prison, Ahmed tries to get his life back on track as best he can. He reunites with his cellmate, Lhoussine, with whom he runs a modest plant nursery on the outskirts of the city. However, his main g
A renowned symbol of Portuguese interventionist theatre, Cornucópia emerged from the darkness of fascism to fight dictatorship on stage. Among the classics, a project is born and dies, but one face remains emblematic: Lu
An exploration on memory and recollection.
Meet Blanche Monroe aka The Evil Stepmother, an out-of-work daytime drama queen. When her stunning stepdaughter (Snow White) is discovered by a hotshot Hollywood agent, Blanche wreaks her revenge.
White Noise explores the links between people and their land, and how fragile this relationship can be. Even though the film is presented under the themes of material and metaphysical loss and grief, the poetic discourse
The Punta de Rieles prison was where most female political prisoners were incarcerated during the dictatorship in Uruguay. The way up to the building led through “the meadow” where there were animals grazing, and the pri
We live with stories. And it's hard for us to give up on these stories, which provide us our identity, a way of understanding ourselves. Reflections from three successive generations are dusted off and presented as remai
A character, directly addressing the viewer, attempts, through his or her knowledge, a historical reflection on the Paris Commune of 1871. A series of five tableaux retraces the major phases of the events. First comes th