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Abbado: The Silence that Follows the Music
Shot over a two-year period observing Abbado: a) Rossini, Overture to 'll Barbiere di Siviglia' b) Schubert, Symphony no. 2 B-Major, D. 125 c) Arnold Schonberg, Kammersinfonie no. 1 E-Major op. 9 (Filmed in Venice, G
Love Reborn: Comics, Music & Stories of the Past
The story begins with a comics by Kirei (Nadya Arina) on Toon's web, whose inspiration comes from Wijaya (Donny Damara), a middle-aged man and a customer of her mother's laundry (Ira Wibowo). In a suit that is often laun
Muhai Tang - In The Ocean Of Music
MUHAI TANG – IN THE OCEAN OF MUSIC is a portrait of Chinese conductor Muhai Tang’s extraordinary life. Born in 1949, the founding year of the People’s Republic of China, and raised during the Cultural Revolution, it seem
Der Ton(film) macht die Musik
Mit der Musik groß werden
Peter Nestler portrays the everyday life of two young music students from Budapest who are trying to balance their family life, which is shaped by Roma traditions, with their academic education at music school. Brigitta,
Mythos Mozart - Musik für die Welt
Documentary about Wolfgang Amadeus Mozart.
The Transformation of the World Into Music
This film was prepared as a introduction to a series of opera broadcasts on German television. It depicts the behind-the-scenes manoeuvrings in preparation for the annual opera festival in Bayreuth.
Jette Torp & Finn Nørbygaard: Musik & Fis 2
Wien tanzt - Die Musik der Familie Strauss
Vi är resande i musik
Roger Cicero - Ein Leben für die Musik
Scharfe Glatzen - Skinheads zwischen Musik und Politik
Documentary about skinheads.
Die Macht der Musik - 200 Jahre Beethovens Neunte
Composed in 1824, Beethoven's "Symphony No. 9" will celebrate its bicentennial in 2024. With its famous finale based on Schiller's poem "An die Freude" (Ode to Joy), this colossal work is now one of the symbols of Europe
Jenseits der Musik - Die Barenboim-Said Akademie
The Barenboim-Said Music Academy in Berlin is an experiment. Its main aim is to bring together young musicians from the Middle East: Jews, Muslims, and Christians. Daniel Barenboim wanted to create a safe space for them.
Zu eurer Musik könnt ihr nicht tanzen
Richard Wagner and the Law of Ruin Value in Music
Assuming that an observer living in the year 6000 would contemplate our period, for example, from 1607 to 2008 (approximately the era of our opera), Heiner Müller posits that this observer would find music to be the subs