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Ruth Ford has been placed in three-quarter profile against a white background, under instructions to keep still and try not to blink. With her head held high, she maintains her pose, only occasionally raising an eyebrow
Model and superstar "Baby Jane" Holzer brushes her teeth for over 4 minutes in a mesmerizing Andy Warhol screen test at the Factory in New York City.
Peter Hujar, shot in close-up, has his face lit from both sides, which creates the usual symmetrical pattern of shadows down the centre of his face.
Gerard Malanga has been brightly lit from the front, and has tilted his head slightly backwards, which makes his neck bulge; he holds still throughout the film, his left eye filled light.
Begins with a long shot of ‘Mama’ Cass Elliot, then zooms rapidly in and out and into close-up. Halfway through, the film settles down into a single close-up; toward the end of the shot, there is a sudden adjustment in t
Barbara Rubin, posed against a white wall and brightly lit from the right, smokes, shifts position constantly, glances around, leans forward to put her cigarette out, and gazes off into space. Near the end of the film, s
Starts with a close-up of Sterling Morrison’s mouth, dragging heavily on a cigarette. When the camera zooms back we see Morrison in a pair of dark sunglasses. Made for projection behind the Velvet Underground in performa
![Screen Test [ST310]: Edie Sedgwick](https://image.tmdb.org/t/p/w500/q9J2pQBz5KrMMisLTuMGeizTMOa.jpg)
Begins with a close-up of Edie Sedgwick powdering her face with a powder puff. She is wearing two different earrings and has been lit harshly from the right. She holds her hand up against the light, laughs, and says some
The actor Lawrence Casey begins his screen test by staring solemnly into the camera,. He then lifts his chin slightly and begins an uncanny, slow-motion transformation of his expression from complete neutrality to manic
A second screen test featuring Nico and a Hershey bar — the last being ST245. Camera exercises back and forth, from side to side, swinging, stuttering, crawling while Nico enjoys a Hershey bar. She laughs.
August 2, 1964: Long Beach, CA - Ed Parker, known as the Father of American Karate (Kenpo), invites Bruce Lee to give a demonstration. Bruce shows off his “one-inch punch,” and his two-finger push-ups, where he literall
Andy Warhol "Screen Test" of a sixth-month-old Pénélope Palmer, going about her business.
Henry Geldzahler, filmed ins oft focus against the sharply in-focus silver painted Factory wall, fills his time by placidly untying and removing his necktie, turning his collar up, retying his tie, and smoothing his coll
A young woman identified only as Virginia Tusi, is posed against a light plywood backdrop and wearing dangling, flower-shaped earrings. She looks back at the camera from beneath her long, shiny hair. She speaks to the ca
One of two(?) 1964 screen tests of Childs. Runs 4 minutes, 24 seconds in length
![Screen Test [ST83]: Bob Dylan](https://image.tmdb.org/t/p/w500/mzBL8VvwH67ktB1wcPKFtsCNXPF.jpg)
Bob Dylan's screen test for Andy Warhol, filmed January 23, 1965.
The American poet John Ashbery. Shot one day when he visited the Factory. His suspicious expression does relax somewhat in the course of the film; towards the end, he appears momentarily lost in his own thoughts.
The film is an exposure test, with a poorly focused image of Edie Sedgwick getting darker and darker at regular intervals.
Commissioned by MoMA PS1 and Creative Time for MTV’s Art Breaks series
Screen test of Barbara Rose.