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A film made by Sério Fernandes and his students
In an overstuffed cabin, two best friends engage in an unspoken war of one-upmanship.
Exploration of the work of Venezuelan architect Jorge Castillo from the '70s and his futuristic architectures specifically known as his ‘Casas Maras’.
A transmedia project that merges music, film, and digital storytelling. The entire concept revolves around a musical enigma: "Pisces, the Singer," a legendary 1970s sensual music artist with a fish head, who vanished fro
After a friend goes missing, an ambitious publicist begins investigating the exclusive society he longs to join. But a rat-masked figure starts stalking him, and as protests and political campaigns erupt, he begins to lo
Wael Shawky in his Cabaret Crusades skillfully juxtaposes historical narrative with the childish world of puppetry—seriousness with naivety, fear with humor, horror with entertainment—to focus on events crucial to the de
They are not to be seen, but a world without them would look different: Mailing, googling, Skype, holding worldwide video conferences - all of this is only possible thanks to the latest data cable technology. The submari
An intimate work made in collaboration with the filmmaker’s family, Cabbage re-frames language and explores personal agency within an ableist paradigm. It centralises her brothers' digital and rhythmic writings using eye
Helene, who dances in a Greenwich Village cabaret accompanied on the violin by her grandfather, loses her job after his death. She then is hired as a portrait model by four artists--Jaffrey Darrel, Ned Lorrimer, Dick Tur
E NESTE NADA CABE TUDO is shot for television (already on video – thus exploring its plastic potential) and examines the work of the sculptor with a special focus on the famous and polemic 25 de Abril monument.
A man returns to his childhood cabin, but something is not right. By reconstructing the series of events he tries to understand how his parents’ couch wound up in the yard, why the walls of the bedroom are pink and how h
Shaped by mysticism, resistance, and the voice of revolutionary leader Amílcar Cabral, we take a personal and poetic journey through the anti-colonial past and present of Guinea-Bissau.
In the middle of the picture, there’s Thalia, who just turned three years old. She discovers what life is made of, from snails to death. She experiments, evaluates and tastes every flavour that we adults have forgotten.
A 1972 short in which the different objects in a woman's cabinet suggest various elements of her life.
Glass-fronted doors, items on display.
A young boy watches a horror movie with his parents and feels himself drawn into the drama.