La película de nuestra vida
A young man, an adult and an old man (perhaps the same man) wake up one morning at their summer home. That place no longer belongs to them but they will recreate the summer of their lives.
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A young man, an adult and an old man (perhaps the same man) wake up one morning at their summer home. That place no longer belongs to them but they will recreate the summer of their lives.
This film offers a broad and intimate vision of the life at Várzea Queimada, an unique village of Piauí's sertão that developed it's own sign language, called CENA.
A three-part love story: Alborada, Cénit y Ocaso (Sunrise, Noon and Sunset). A dying prince (Agüeros) lives a stormy love affair with a "femme fatale" (Padilla) who doesn't care for his feelings.
Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may thi
The Cali neighborhood of San Antonio is distinguished by the carefree character of its people and the constant animation of its streets. Among its most curious inhabitants are the piperos; Two of them find an old camera
An American priest is hired as coach at a Mexican university; he trains his students in the ways of American football and moral rectitude. You ain't gonna sire no babies out of wedlock on Father Lambert's watch, no siree
An eldery woman travels back to her birthplace, next to her son.
Presented at the Marconi Studio in March 1985 during the "Limitrofie" exhibition, the starting idea is a box where unexpressed memories are kept folded. It is a garden where a landscape of memory, impalpable, constantly
Aspects of the life of the Bororo Indians of the Kejara village. Fire-making, crafts, weaving, hunting, fishing and sunset in the village.
A doctor can predict the death of their patients (Terminal Case), an old man meets a teenager through an ad in the newspaper (Classifieds), two young people are assaulted in the historic center of Mexico City (We're Ever
A journey through the life, work and many artistic miracles of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010).
Monarch butterflies have brought hope to the darkest times of people's lives. In Mexico, when they arrive for Day of the Dead, they are thought to be souls of the departed. Coincidence?
Two years after her arrival in São Paulo, Alice continues her relationship with Nicholas and has begun to look for a place where they can live together. She has also launched a business that produces children's shows, an