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El llamado de la sangre
Brother's Blood
Bento Balão, a wicked man and owner of the Pedra da Onça farm, cruelly beats a paralyzed old man who lived on his land and embezzled money from him, and kidnaps the old man's eight-year-old daughter. But since the old ma
Food and Music
floating images, abstractions, memories. silhouettes of a life lived in Jawaharlal Nehru University
The Strength of Blood
To fulfill her father's dying wish, a woman seeks to find her father's long lost sisters from Argentina.
Jacinta y la sangre
Na Lixa e no Sangue
Sangjungha
Depicts the battle of desires unfolded by three brothers.
Natal sangrento
Sanguine
'Sanguine' or 'Never Say Twice on Her Majesty's Golden Service to Kill Tomorrow with Love' is the second short film I made with my two best friends Austin Hampshire and Zack Ainsley.
Ortona 1943: A Bloody Christmas
It was one of the bloodiest and most mysterious battles of the Second World War in Italy. In Ortona, a small seaside town in the Abruzzo region, Germans and Canadians literally fought street by street, house by house, ev
Sanguine Teeth on a Driftless Road
Four vampires set out on a road trip to a cabin in the woods; what could go wrong?
Batman v Superman: Dawn of Justice
Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it real
Sanguine Addiction
Detective Frank Sullivan loses his sense of reality while on the hunt for a serial killer in the early 1970s.
The eloquence of blood
Short film made from photographs taken by anthropologist and photojournalist Rogério Ferrari in Palestinian territories in 2002.
Attack of the Teddy's
A wary man arms himself to defend himself against bloody stuffed animals.
Latorre: Alma, Terra e Sangue
El camino Mozárabe: sangre, sudor y fe
Thirsty of blood
A bloodthirsty vampire strikes.
Hard Stone
In Sange Khara, commissioned by Fundação Bienal de São Paulo for the 36th Bienal, Laila Hida offers a landscape where memory is not narrated, but circled – tentatively, tenderly, with the gravity of something sacred and