Arabic Disco Funk
Heartbroken, Shams revisits the moment they first met Ana, hoping that -maybe this time- they'll understand why it all fell apart.
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Heartbroken, Shams revisits the moment they first met Ana, hoping that -maybe this time- they'll understand why it all fell apart.
After her biological son takes his own life, a mother leaves her new family in Arabia to return to Gunungkidul.
Naomi and Marwan are a couple that communicate in Hebrew. When they decide to speak solely in Arabic on Fridays, their new routine leads to miscommunication that neither language can solve.
One who doesn't have roots won't be able to grow wings-a documentary project about a man tracking his origins to the Middle East and establishing a connection with his father, whom he have never met before.
Hot seduction from the beautiful goddess
A man tries to remember the arabic alphabet.
A spoken word poem about the war within the diaspora child living between two continents, unable to fully give their condolences in the language of their grief.
Marie and Jérémy have everything to be together. Their Tinder date went very well. But while they sleep side by side, Marie mutters racist remarks. Jeremy, who heard her, is developing a plan to find out if she is really
A gentle and dreamy girl who works as a costume assistant in a theater group faces troubles at work as the band's director and his son both love her, and at home as her stepmother prefers her own daughter to her and trea
A parody of James Cameron's Titanic
Learn Proper Arabic Grammer In This Skit
“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that mate
“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that mate
“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that mate
“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that mate
“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that mate
“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that mate
“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that mate
This is the twelfth film in the twenty-part Arabics series. Brakhage creates blurry visual fields that are profoundly without ground, worlds of unidentifiable, ever-shifting shapes, and oceans of light and darkness.
“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that mate