Brecht Dialog
For the 70th anniversary of Bertolt Brecht’s birth, international Brecht experts, including directors Giorgio Strehler, Benno Besson and Juri Ljubimov, got together for a one-week Brecht Dialog at the Berliner Ensemble o
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For the 70th anniversary of Bertolt Brecht’s birth, international Brecht experts, including directors Giorgio Strehler, Benno Besson and Juri Ljubimov, got together for a one-week Brecht Dialog at the Berliner Ensemble o
Documentary images of scenes filmed at the Berliner Ensemble, during one of the final rehearsals.
Brecht's company of actors tells the story of Bertolt Brecht: his theatre, plays, poetry and his life.
Here meet personal memory, working knowledge, research interests and anecdotes together to vivid memory about the most important German dramatist of the 20th century. When the director Peter Voigt, former assistant direc
He wanted to revolutionize theater practice and at the same time social awareness: Today Brecht, who was born in Augsburg in 1898 and died in East Berlin in 1956, is one of the most important playwrights of the 20th cent
A production of a Brecht play gets out of hands.
Documentary by Helke Sander, in collaboration with Harun Farocki (among others), about the campaign of the West German New Left against the publishing house Springer, particularly its control and manipulation of the new
Documentary about Brecht and the Berliner Ensemble.
“Theatre theory for film, or not: Brecht (an interrogation/performance: a ghost trio for two).” (Gidal). Taking the form of a multi-part dialogue in which Gidal’s translations of Brecht are spoken, Gidal stages an interr
Brecht′s 100th birthday is being celebrated on 10 February, 1998. A good enough opportunity to examine his life closely again. The film director Jutta Brueckner is mainly concerned here with the question of the kind of p
Following the phenomenal success of “The Threepenny Opera”, the film industry wants to win over the celebrated author. But Bertolt Brecht is not prepared to play by their rules. His concept of the “Threepenny Film” is ra
Theater director Thomas Ostermeier stages Bertolt Brecht and Kurt Weill's timelessly magnificent "Threepenny Opera" with the ensemble of the Comédie Française in Aix-en-Provence, based on a new translation of the origina
Co-director Cornelia Geiser sits by a window on an easy chair reading aloud a few verses by Corneille, then a somewhat longer excerpt from Brecht - each writer referencing Rome but really condemning injustice in his own