Choreography by Bournonville
An overview of the Bournonville method through two legendary ballets of the Danish choreographer: The Sylph in its 1936 choreography and the "Pas de deux" extract from The Flower Festival in Genzano composed in 1858: two
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An overview of the Bournonville method through two legendary ballets of the Danish choreographer: The Sylph in its 1936 choreography and the "Pas de deux" extract from The Flower Festival in Genzano composed in 1858: two
A woman's life can become the embodiment of dance, taking into account her own internal rhythm and needs. For me, of course, dance is life.
In her work, Brooklyn-based dance artist, choreographer, writer, researcher, and filmmaker, Leslie Cuyjet candidly “aims to conjure life-long questions of identity, confuse and disrupt traditional narratives, and demonst
The mechanical production of the camera is articulated through the mechanics of the body. This choreographic journey of a film strip overlays the physicality of the analog filmmaking process and the anatomy of the human
The film colorfully interprets familiar city objects through dance. Instead of music there are sounds of construction work, the explosions of firecrackers during the parade, and the noise of cars on the avenue.
A woman must safe herself and escape from a bizarre black room where she waltz with her biggest fear and trauma. A Choreography of Violence is a short experimental film that tells a story about love gone wrong, domestic
The first experimental dance film from Croatia, which pays homage to the pioneer of experimental and dance film Maya Deren and her "Study in Choreography for Camera" from 1945. The theme of the film is inspired by a comp
Plot unknown.
Sequence of images created using a photocopier.
Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured
This is a seven-day excerpt of a year-long project in which I recorded my daily sweeping after breakfast. I think of this piece as a collaboration across time with Maya Deren and her film, Study in Choreography for Camer
All of the rejected material from MAYA DEREN’s simplest and purest film offers the student of cinema and those interested in MAYA DEREN a vivid lesson in how she constructed a film. When shown together with a completed f
A choreography to cracked linear textural sound. Elements of classical and neoclassical ballet used to choreograph a dancer's movements to jagged lines of sound.
A behind-the-scenes look at how Vincent Paterson creates his dance sequences.
In 1967, Francisco Sagasti, then a young industrial engineering student at Pennsylvania State University, designed and programmed—along with his colleague William Page—a computer program that generated choreographic sequ
In an abandoned city, in the middle of a field left barren by the harvest, on a deserted railway track, travels an autumnal figure transformed by the places she inhabits. First, a playful sprite who wanders the frontier