Refugees in Cinecittà

Cinecitta, the great movie studio built by Mussolini, became universally known as 'Hollywood on the Tiber' and as Fellini's second home. But in an interim period (1944-50) it served very different functions, quite unlike

Cinecittà Cinecittà

The Myth of Cinecittà

Documentary telling the history of Cinecittà, and how it contributed to Italian cinema development.

Cinecittà Babilonia: Sex, Drugs and Black Shirts

The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among who

Cinecittà - Roma

Cinecitta

Desperate by the refusal of the film commission, Chahine wonders how he will do to find the money necessary to achieve the police comedy he has in mind. He then has the crazy idea to go find him where he is: in the trunk

Eros Ramazzotti: Noi - Eros Live Cinecittà

Cinecittà - I mestieri del cinema Bernardo Bertolucci

The last interview of Bernardo Bertolucci who recalls his work with precision, delicacy and philosophy.

Cinecittà, de Mussolini à la Dolce Vita

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dicta

Din Don 8: Viaggio di nozze a Cinecittà World

Don Donato and company go on a trip to Cinecittà World theme park, where Luna and Luigi have decided to spend their honeymoon. These are also important days for Gina, since she's now expecting, while Angelo, as always, i

All the things that remain

In a hidden corner of Cinecittà there is a magical place that no one knows about and that was about to disappear. It is STUDIO EL founded in 1983 by Ettore Scola and Luciano Ricceri. A creative space, a sort of Renaissan

Cinecittà: sui set dei film western italiani (1967) - Spaghetti Western

Video containing a fragment of the journalistic reportage "Roma 4 - Passeggiate per la città" (1967) by Bernardino Zapponi and Stefano De Stefani, where attention is directed to Cinecittà and in particular to the sets wh

The Strongest Weapon

This documentary using images from the Luce Archive tells the story of Freddi a Fascist civil servant who had a profound love for cinema which he developed during his many trips to Hollywood where he carefully studied an