Film Exercise
Man. Woman. Motorcycle. Beach. Road. This short film makes clear that Rodney Charters had a certain way with images, long before he got busy shooting television (24, Roswell) in the USA. Charters directed Film Exercise w
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Man. Woman. Motorcycle. Beach. Road. This short film makes clear that Rodney Charters had a certain way with images, long before he got busy shooting television (24, Roswell) in the USA. Charters directed Film Exercise w
Film of the Watts Towers, works in up to four superimposed layers of different colored imagery of the Towers, interweaving color and form in a dense, poetic structure that is by turns harmonious and unexpectedly dissonan
Film - transformed reality as light on the screen.
Perpetual Recurrences is an exercise in programming films. Rather than curating a selection of entire films, this exercise curates a selection of scenes. Though they are montaged, the core of the exercise is to look at r
Opens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means of color. A second section poses the same image in deep film space. Th
The entire film is divided into four consecutive chosen approaches—the fourth section devoted to a reiteration and extension of the original material. Preserved by the Academy Film Archive in 1999.
Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Pr
Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005.