Industry and Photography

Farocki frequently chooses a single news photo as his pretext. In his film he explains convincingly that 'learning from images' is not so much a question of having power over the image or a consistent subject-position to

Rebels

The rough, unkempt facades in Prenzlauer Berg – as if the skin had been peeled off the houses, says photographer Tina Bara. Having grown up in a prefabricated building, the young woman was drawn to East Berlin. She quick

Tillema, de Multatuli van de fotografie

Eleven thousand photos, six miles of footage, three hundred books and eighteen volumes of Indië Oud en Nieuw: this is the historical legacy of Hendrik Tillema, who was born in Friesland and worked his way up to a success

Zeitgenössische Fotografie in Amerika

Blue Box Blues (Staging a Photo Shoot)

Captures the violence and tenderness, alongside the dominance and submission, that is found in a single, intimate embrace.

I’m Looking at Your Photo

A documentary film composed of private photographs taken from prisoners of Auschwitz-Birkenau. The authors use them to build a story, full of carelessness but also growing tension, about the end of the 1930s, the last da

Kemp-Barontini: drawings and pictures

The latest exhibition, successfully held at the Center of Modern and Contemporary Art in La Spezia, of the famous British mime, dancer, choreographer and director Lindsay Kemp and designed together with Claudio Barontini

1870/71 Fotografien eines vergessenen Krieges

One Hour Photo

Sy Parrish has lovingly developed photographs for the Yorkin family since their son was a baby. But as the Yorkins' lives become fuller, Sy's only seems lonelier, until he eventually convinces himself he's part of their

Gisèle Freund, portrait intime d'une photographe visionnaire

The German-French photographer Gisèle Freund (1908-2000) went into exile in Paris in 1933. She witnessed many major events and knew some of the most important personalities of the 20th century. Her works include the famo

Pink Pictures

The Pink Panther decides to become an amateur photographer, but the local wildlife are not cooperative.

The Photograph

When famed photographer Christina Eames dies unexpectedly, she leaves her estranged daughter, Mae, hurt, angry and full of questions. When Mae finds a photograph tucked away in a safe-deposit box, she soon finds herself

Don't Photograph The Moon

A young woman finds herself alone in a park at night; she decides to take a photo of the Moon with her cell phone, but discovers something she should never have seen.

Picture Bride

Riyo, an orphaned 17-year old, sails from Yokohama to Hawaii in 1918 to marry Matsuji, a man she has never met. Hoping to escape a troubled past and start anew, Riyo is bitterly disappointed upon her arrival: her husband

Girl in the Picture

A young mother’s mysterious death and her son’s subsequent kidnapping blow open a decades-long mystery about the woman’s true identity, and the murderous federal fugitive at the center of it all.

Mystery Woman: Snapshot

Amateur sleuth Samantha Kinsey's latest case has her trying to figure out who killed her best friend Barbara after she was left out of her family's will and every one of the family members become suspects.

The Lucky One

A Marine travels to Louisiana after serving three tours in Iraq and searches for the unknown woman he believes was his good luck charm during the war.

The Stringer: The Man Who Took the Photo

A two-year investigation uncovers a scandal behind the making of one of the most recognized photographs of the 20th century. Five decades of secrets are unraveled in the search for justice for a man known only as "the s

Auschwitz - One Day

Today, the word "Auschwitz" is a synonym for the Holocaust. Thousands of Jews died there every day. With the help of some acted scenes, photos and graphics, the film tells of a day in May 1944. The starting point is a un

Alix's Pictures

Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shif