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Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris,
Agnès Varda’s follow-up to her acclaimed documentary THE GLEANERS AND I takes us deeper into the world of those who find purpose and beauty in the refuse of society, revisiting many of the original film’s subjects.
Experimentation on paper exploring artistic appropriation in cinema and how each film borrows from the works that preceded it.
A coming-of-age story about a filmmaker and his family as they struggle to adapt to both a changing world and a traditional one. Can the filmmaker's family accept that he is more interested choosing to document a famine
A ritual for creating new worlds and situations for fragmented bodies, signals pass through the joints of animated and genderless bodies and body parts entangling the body-signal-actions both materially and conceptually
The work of kau fangota, the gleaners of the sea, those who harvest seaweed and shellfish at low tides has been historically the work of women. Their knowledge of mat weaving, tapa cloth making, healing the sick and gath