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Charlie is a failed writer who tries to conceive fresh ideas for his new script. Meanwhile, his roomate Emi will try to help with some ambitious (if not stupid) attempts.
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Charlie is a failed writer who tries to conceive fresh ideas for his new script. Meanwhile, his roomate Emi will try to help with some ambitious (if not stupid) attempts.
Charlie and Emi return to do a sketch that doesn't go as planned when reality gets in their way.
Emi wakes up one day feeling strange.
A failed writer relives the past since he's unable to write something new. His search for inspiration will make him delve into his mind and face his internal conflict.
Charlie receives strange phone calls, maybe from the beyond? What's on the other end of the phone? It doesn't matter, as long as we imagine Sisyphus happy.
What do the numerous similarities between the films of Michael Haneke and Quentin Dupieux reveal about their respective filmmaking strategies?