Mothering Sunday
On a warm spring day in 1924, house maid and foundling Jane Fairchild finds herself alone on Mother's Day. Her employers, Mr. and Mrs. Niven, are out and she has the rare chance to spend quality time with her secret love
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On a warm spring day in 1924, house maid and foundling Jane Fairchild finds herself alone on Mother's Day. Her employers, Mr. and Mrs. Niven, are out and she has the rare chance to spend quality time with her secret love
Mothering Sunday is a horror, dark comedy short film where terrifying revelations are made during a Mother-Daughter argument.
Nava tries to convince her sister to get back with her husband, while her own fiance is cheating on her.
Near the 40th day of her estranged father’s death, a woman returns to her family’s ancestral home where three generations of women are bound together by grief, madness, and evil thicker than blood.
Nava tries to convince her sister to get back with her husband, while her own fiance is cheating on her.
The story of a young girl, Mia, arriving at her new foster home. When her first period unexpectedly appears in the early hours, help comes in the form of her foster parent's elderly mother, Pauline.
Nia, 50, in an abusive marriage navigates a fragmented inner world where desire, memory, and ritual intertwine. A reunion with a former lover reawakens intimacy but exposes the persistence of violence and entrapment. As
What happens when a mother of small children is “put on a time out”? At Oregon’s Coffee Creek Women’s Prison, the Family Preservation Project (FPP) helps inmates hone their parenting skills as it facilitates regular fami
A young couple struggle to get ahead, the wife always assuaging the troubles of her melancholy husband. As he climbs the ladder of success, he abandons the homely values and begins an affair with a beautiful woman. His w
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Part II unfolds as a conversation between a mother, portrayed by the rental mother Suzuki-san, and me. It draws on my interview with Suzuki-san, a divorcee in her sixties, while referencing the Japanese folklore figure o
Part I unfolds through a role-play between myself and Suzuki-san, a rental mother, in which she performs the role of my mother and I that of her daughter. Drawing from my ethnographic research with rental mothers in Japa