Poema
The heads and tails of reels of Super-8, made of white plastic and printed with text in red, are the material used on the film; the film is comprised only of ends, and the ends are the film.
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The heads and tails of reels of Super-8, made of white plastic and printed with text in red, are the material used on the film; the film is comprised only of ends, and the ends are the film.
Poema (Poem): Visual poetry. A film where the corner is the film and the film is the corner.
You have dreams and a language and you do need a home.
Pablo Olivares is a lively and talented child born into a Christian family. His mother, Carmen, devotes her time to teach him biblical principles and cultivates in him a love for music. His father, Roberto, spends most o
The unpublished correspondence between the great musician Pau Casals, and the Catalan poet Joan Alavedra, and the accounts given by experts, will tell the story behind the creation of The Manger, a musical composition bo
Carlos Drummond de Andrade's poetry is read by exponents of Brazilian culture, such as Chico Buarque, Caetano Veloso, Adriana Calcanhoto, Fernanda Torres, Marilia Pera, Antonio Cicero and others.
Ballet with Alicia Alonso and Rudolf Nureyev
Side by side, two faces of the same woman looking at the camera are in slow motion. All nuances of her expressions can be perceived. In one portrait, she’s young, at the peak of her beauty. On the other one, she’s about
With editing by Enrique Bouchard and the advice of artist Juan del Prete, Alfredo Rubio adds color to the formal experimentation in this short film where drawings, painting and textures reach absolute abstraction.
Helena Maria Balbinot, a countryside teacher from the south of Brazil, exchanged letters during 24 years with Brazilian modernist poet Carlos Drummond de Andrade. The movie reveals part of these letters. Through scenes o
Historical reconstruction of the events of the anti-fascist struggle in Slovakia in 1943 and 1944.
Through interviews and footage, this work revisits the historic collaboration between Pixinguinha and Vinícius de Moraes in creating the soundtrack for the film Sun Over the Mud, directed by Alex Viany (1963). A signific