Public Domain
Bones Brigade Video IV. A video extravaganza in living color and drop dead B&W. Features: Barbee, Borst, Bradley, Caballero, Chapman, Grasset, Guerrero, Harris, Hawk, Hill, Lasek, McKay, McGill, Mountain, Mullen, Peralta
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Bones Brigade Video IV. A video extravaganza in living color and drop dead B&W. Features: Barbee, Borst, Bradley, Caballero, Chapman, Grasset, Guerrero, Harris, Hawk, Hill, Lasek, McKay, McGill, Mountain, Mullen, Peralta
"Public Domain" is a short film we shot in honor of those who support us with daily entertainment throughout this apocalypse. It's a love letter to cinema and a call to arms. Don't let the medium die.
Brooklyn boxers and boucing balls.Catalan dancers and Provençals dogs. The Douro, the Danube, Biarritz, Brazil. In super 8 colours and black and white sounds.
A dark, wryly funny film about a game show run by smug pseudo-intellectuals that awards money to the contestant with the most pathetic life. The "contestants" are unaware they're even playing the game: the show's produce
"In PUBLIC DOMAIN...(Frampton) recapitulates cinema's infancy in a series of direct quotes from such notable primitive works as RECORD OF A SNEEZE (FRED OTT'S SNEEZE) and SANDOW FLEXING HIS MUSCLES, two 1894 Edison kinet
A bridge spanning a river collapses during rush hour. Eight years later, the lives of four people, impacted by the tragedy and on the run from their personal demons, intersect in THE PUBLIC DOMAIN, a Polish bar. It's the
For more than thirty years, Jim Jennings has worked as a film maker in the city of New York, which can be regarded as his muse. The obvious step is to regard his observations of the city and its inhabitants as urban port
Between 2011 and 2014, the documentary investigated the changes in Rio de Janeiro on behalf of mega-events: UPPs in slums, forced evictions, public spaces privatization and popular uprisings.
Res communis omnium is a Roman law term that defined things that by their nature are of universal human value - such as land, air. The concept has retained its relevance in international law. When the copyright on a work
Fleming develops a personal visual language through repetition of particular allusions and imagery
Using public domain footage from the 1930's and 40's, this send-up touches on all of the classic iconic moments of the film noir era.
Some occurrences themselves are forgotten and being got rid of any copyrights. What’s more these occurrences were created and shared by people in a certain place. Although these occurrences are worthless, they are still